Let’s talk about you as a designer. Your Chinese heritage often influences your work, for example, your ‘Made in China’ collection from Spring/Summer 2018 or your Autumn/Winter 2019 collection that tells your mother’s story about raising her family. How has your cultural heritage shaped you as a designer?
It has always been the stimulus to my collections. It is the reason I design. It is such an honour to present heritage and culture through my collections, and allow wearers to connect to something they may have never discovered.
You aim to bridge the gap between East and West in your work. Can you tell us more about this approach?
My brand was founded in London, where I fell in love with silhouette and streetwear. However, my experiences before were all influenced by Asia, from details to fabrications. From a design perspective, it’s mixing my Eastern culture and heritage with a Western silhouette. Not only that, but it also brings traditional practices, techniques and crafts to a larger audience.
As a fashion designer, what’s your motive to bring the two worlds together? What thoughts or topics come up for you in this process?
It’s a chance to explore the history of Asia. For centuries, they have been experts in craft and technique, and being able to bring these ancient practices to a modern world through design has always been intriguing. There are endless avenues, endless inspiration and endless concepts to explore.